Finding a guitar that you jive with... - Page 2

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Thread: Finding a guitar that you jive with...

  1. #9

    Join Date: Jun 2009
    Location: Vacaville, CA
    ME: USA Fender Strat
    MB: Ibanez SR2010 Ahsula
    Rig: EVH 5150 iii

    iTrader: 0

  2. #10

    Join Date: Feb 2010
    Location: Wisconsin
    ME: Ibby CST,CT,UV pwh
    MA: Ibby CST w/piezo
    Rig: Axe fx II

    iTrader: 4 (100%)

    Quote Originally Posted by Cassidy View Post
    I was reading your post, nodding, saying to myself, 'yeah, that's the 7620, alright. Always a killer guitar', and then I scrolled down.

    Holy shitballs have you done some work on that! The inbetween yellow looked great. Was it a matte finish? And it's a different story. The cap looks fantastic, and particularly lavish on the headstock

    You don't want to tackle relpacing the fretboard? Offset dots on that would look great. Oh, and that JPM control layout is the best layout on an RG, hands down.
    Thanks man! The yellow incarnation is actually CAT yellow (the construction equipment). And it was gloss..

    The present version is just a maple veneer and it has it's flaws so I wanna do the real deal and put a cap on it. I'm not really thinking I'll mess with the fretboard on it. It's in perfect shape and plays crazy low and smooth. I'd hate to mess up it's "mojo"
    Guitars are like pringles....You can never have just one!

  3. #11

    Join Date: Jun 2010
    Location: Spanaway
    ME: Schecter C8 ATX
    MA: Epiphone Masterbilt
    Rig: AxeFxUltra-2:90-Mesa4X12

    iTrader: 0

    My Gibson Customshop 1958 reissue plain Les Paul Standard is the guitar I will never sell. I spent a lot of time trying out a lot of Les Pauls, PRS, Fender Customshop Strats, and other high end guitars before settling on mine. It is the absolute best playing and sounding guitar I have ever played. I know that Gibson has huge quality control issues but mine is absolutely amazing.

    A close second is my Ibanez S7240FM with wave inlays.

  4. #12

    Join Date: Oct 2008
    Location: central ct
    ME: C1's & RG's
    MA: BCRich AE
    Rig: 6505+ half stack

    iTrader: 0

    I hate all my gear. It makes me sound like crap.

    Seriously though, I'm not really attached to anything. I'm still in CL swapping mode where I keep trading guitars around every few months or so.
    I REALLY liked my c1 hellraiser, but then it got an electrical issue and it's been sitting on the stand for about a year now.
    I should probably bring it somewhere to get it fixed. i've mostly just been playing my rg 321mhe, which is pretty much the best cheap guitar you can buy. all mahog, emg passive h4s that are pretty decent, and fixed bridge for nice and easy tuning and sustain.
    just passing through....

  5. #13

    Join Date: Feb 2010
    Location: Wisconsin
    ME: Ibby CST,CT,UV pwh
    MA: Ibby CST w/piezo
    Rig: Axe fx II

    iTrader: 4 (100%)

    Quote Originally Posted by DonBot View Post
    Man, I ain't found shit. Couple of really close calls but obviously nothing I could live without. I'm digging the Carvins but again, they are really nothing I could live without. The one that I kind of regret selling was the black RG1077XL.

    Uhhhggg.. That is a major "WANT" of mine!

  6. #14

    Join Date: Sep 2008
    Location: Killafornia
    ME: Ibanez S670
    MA: Carvin Cobalt

    iTrader: 1 (100%)

    Quote Originally Posted by Josh View Post
    My #1 is a Warmoth that Lee gave me.

    Dunno how or why, but it just sounds *awesome.* Plays great too.
    That thing is sweet. What body style is that? I cant tell if its the strat style or jackson

    I'm thinking Warmoth might be the way for me to go.

  7. #15

    Join Date: Sep 2008
    Location: West Seattle, WA
    ME: PRS / Gibson
    MA: Yamaha
    MB: Jazz 6-string
    Rig: EVH 5150iii 50w

    iTrader: 5 (100%)

    As most are well aware, I very rarely get attached to gear. To me, it's tools for the job & I believe most of the tone & "your sound" comes from the player. Having said that, I have bonded with maybe a half dozen guitars out of around 100 that I've owned. Some just sucked. Some fit what I needed for a particular set of gigs I was involved with. And some just had that magic where the stars aligned at that time & it worked on every possible way. Of the guitars that have become my #1 instrument for several years, they stick around because they are the best playing instrument I've come across.

    The problem with me is that I never just settle. When I came across another instrument that outplays & outperforms, #1 becomes #2 or soon finds it way out the door in favor of the new #1. Repeat as necessary. It's not so much "Gear Acquisition Syndrome" or "Who has the most toys, wins," but more of a refinement of what Shannon likes & finding that ultimate instrument for all my peculiarities. When what I thought was the perfect instrument for me gets trump by a newcomer, I have no qualms with selling off an instrument to get one notch closer to my personal sonic nirvana & something that plays just as I've envisioned.

    1. 1984 Yamaha Eterna EF-15 - It's my 1st guitar that I began playing on in late 1984 & my only acoustic. I spent my first 10 years of playing on that guitar. Giant baseball bat neck, strung with 13s in standard E. Those frets are very worn. While the guitar is essentially worthless to everybody but me, there's a huge amount of sentimental value & it will never leave.

    2. 1997 Ibanez UV777BK (all-black) - My 1st 7-string that I bought new in early 1997. What a revelation for me. I really wanted the black/green model, but they discontinued them at the end of 1996. Anyway, I had been tuning my 6-strings down low for several years & unlike most, I didn't want to go lower. I wanted my high E string back. The 7-string gave me a standard tuned & baritone tuned guitar in one. This is the guitar that started my 7 craze. I had a ball with this guitar & it was one of the most musically productive times in my life.

    3. 1999 Ibanez UV777BK (black/chrome) - A friend of mine had acquired this guitar from a guy who had Steve Vai's guitar tech trick it out with 6000 fretwire & some of the lowest action I had ever felt. From the moment I played it, there was an instant connection. Like buttah! My friend had an instant with my custom RG7620 that had been modded with an all white finish, EMGs & 3-way LP selector. We traded straight across. I used this UV for several years & I wrote some of the most technically demanding music I've ever come up with. It just begged to be played with ferocity. Unfortunately, this UV & my ESP 7 were stolen out of my car in a guitar center parking lot around 2002. Sad, sad day. Which leads me to....

    4. Steinberger Spirit GU-7R (flamed green) - In 2002, I bought this guitar from MusicYo. At the time, everything I wrote required a 7, so this was basically a travel/practice guitar for home. When the UV & ESP were stolen, I was left with one guitar in my possession....this guy. I slapped on a set of 13s & tuned it to Bb & away we went. I had to adapt my 7-string arrangments to a 6 because I just didn't have the money for a replacement 7. Little did I know that I would fall in love with this guitar. I loved the way a headless played. Perfectly balanced. The less you're fighting with a guitar, the better you play. It really opened my eyes to what a wonderful design steinbergers are & it worked perfectly for Byaxis (super demanding technical band I was doing at the time) & for a variety of cover gigs. It was my main guitar for several years & I had 2 more GU-7Rs (black & white) as my backup/alternate tuning guitars. Unfortunately, I hit hard times when I was laid off. I sold the green one to a friend for $200 because I was dying financially. It killed me to do it, but I had to do. There's a lot of sentimental attachment to that guitar. Over the years, I had offered to buy it back for up to twice what I originally sold it for, but no deal. Oh well.

    5. "Greenie" The Mike Sherman-ized 1991 Ibanez UV777GR - You all know Greenie. I had been searching for a GR for 12 years & it just happened that Steve here was selling his for a great price. It was instant love & was everything I hoped it would be. At this time, I was way better off financially. I had built a nest egg, was playing a TON of paying gigs & started building quite an arsenal of gear. However, NOTHING I played, even guitars costing 3x as much, even came close to how well Greenie played. I was offered some amazing guitars if I would trade Greenie, but I couldn't do it. As a gear whore, it was so weird for me to actually NOT want another guitar. Greenie was the go-to instrument for the hundreds of guitar gigs I did from 2008-2011. I bonded with her musicially moreso than any other instrument up to that time. I thought she's be around forever until.....

    6. "Strypoverse" The bastardized Ibanez 7 - ....fucking Donnie creates the Strypoverse.
    Donnie has a very special gift with making guitars play unbelievable. He spent many hours hand crafting this guitar. This guitar called out to me in many ways though. Playability & setup aside...
    1. I love old school Universe necks & this neck was the best I had ever come across. Donnie's abilities are the stuff of legend. He knows how to make a guitar perform at its best & most of what makes this guitar's mojo is that.
    2. I'm a HUGE EVH fan, so the black/yellow stripe design called to me.
    3. I'm a HUGE Dimebag fan & EVH's original black/yellow guitar was laid to rest with Dimebag. Two of my musical heros encapsulated into one 7-string. Perfect...Shannon....guitar. Unfortunately, the affair lasted around a year because I've recently discovered Carvin 7-strings & I'm just floored by them. As a mainly diehard Ibanez 7-string player for 15 years now, it's hard for me to admit there are sonic better guitars out there, but there are.

    When I sell off a guitar I've become attached to, it's only because I've found something this is superior to what I thought was previously untouchable & the pinnacle of playability for me. When those revelations happen, I just want to move up. I currently have a Carvin headless HH2X on order & I'm making my final specs for a Carvin DC700 or DC747. The search is never ending, but I've enjoyed my time with each of these killer instruments.

  8. #16

    Join Date: Sep 2008
    Location: Gold Coast Q.L.D Australia
    ME: Les Paul Studio
    Rig: Blackstar HT5

    iTrader: 3 (100%)

    BLOOD for the BLOOD GOAT!

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