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Thread: NGD: Strandberg #23

  1. #1


    Join Date: Oct 2008
    Location: washington dc
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    NGD: Strandberg #23

    So this is a little late, but this is the first chance i have had to do a proper NGD and review since we have a day off in Italy!

    The backstory on this guitar is that Ola made me #15 which i absolutely fell in love with the exception of one issue: Relative to the sound i was after, straight pickups made the low strings sound weird because of the fan on the frets leaving more space between the bridge and pole pieces on those strings.

    Ola offered to rebuild the body for me to accommodate slanted pickups that would solve that issue. He contacted Tim at BKP who then designed and made the first angled Aftermath set, spec'd to the fan on the guitar. This maintained a relationship between the bridge and strings that was a lot more in-line with what my other guitars have.

    I loved the sound and resonance of the original body, so i made sure Ola use the same woods and used woods of the same density to maintain the sound #15 had. In the process he ended up finding a top that was even more beautiful than the last one, so this guitar saw sonic and aesthetic improvements with the rebuild!

    Anyways here are some awesome pics that Nolly took and edited for me:






    And for those interested in the specs:


    Review:
    The thing that really struck me with #15 was its instant playability. The fan on the frets was so slight that you wouldn't notice it, but you would noticed the awesome stretches you can do on a 24 fret guitar with a 24.75 scale on the high side. That coupled with probably the lowest playable action i have ever seen on a 7 string guitar made it just a dream to play. If i would describe the feel of this instrument with a few words it would be "touch sensitive".

    I recieved #23 when we played Wembley Arena on this tour with Dream Theater, and the first thing i noticed was that the feel of the guitar had not been compromised in the least. Even though i had Ola up the string gauges for me to my live ones (11-64), it still had this insanely low action that still managed to sustain notes without compromise, and that touch sensitive feel to it. The real test was just playing it live for the first time having been used to the feel of my other guitars.
    I adjusted to the guitar with no issues and managed to play the set feeling very comfortable on the guitar even though it is VERY different from my other guitars in quite a few ways.

    As far as the tone goes, the guitar sounds HUGE and almost pissed off with attack. My Daemoness probably has the most attack out of my 7s and my Jackson is the fullest sounding. My impression is that this fits very nicely in the middle. Fuller sounding than my Daemoness, and yet similar in attack qualities. Chords ring out so vibrantly on the guitar, and it stays in tune magnificently well, so i can make the most out of big ringy chords.

    The only aspect of the guitar that took some getting used to was the way a headless guitar feels as you are moving about on stage. This is a very lightweight guitar, and since the neck itself has a lot less weight to it because of the headless design, the guitar will feel a little different in your hands as you headbang or move around with it, but this only took a few live songs for me to get fully used to.

    So in the end, #23 ended up being a great success, and this will likely remain one of my main 7s for live use because of how quickly i got attached to its feel and sound.

    I want to thank Tim Mills and Ola Strandberg for all the hard work they put into making this guitar a reality and getting it ready in time for this tour!

  2. #2


    Real Name: Joel
    Join Date: Dec 2008
    Location: North-West, UK.
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    That is just amazing congrats dude

  3. #3


    Join Date: Jan 2009
    Location: Canadia
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    Wirelessly posted (A Destroyer of short people: Mozilla/5.0 (iPhone; CPU iPhone OS 5_0_1 like Mac OS X) AppleWebKit/534.46 (KHTML, like Gecko) Version/5.1 Mobile/9A405 Safari/7534.48.3)

    Sweet, any idea if bkp will do fanned pickups for non-artists in the future?

  4. #4


    Real Name: Anthony
    Join Date: Sep 2008
    Location: Lake District, UK
    ME: RGD2127z/Apex 100
    Rig: Diezel Hagen/Zilla's
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    I don't usually like headless designs, but Ola's work is awesome

    \m/

  5. #5


    Real Name: Michael
    Join Date: Oct 2008
    Location: VIC, Australia
    ME: '97 UV7BK / DC747
    Rig: Blackstar ID40
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    WOW. That is one nice guitar!

  6. #6


    Real Name: Jeff
    Join Date: Sep 2008
    Location: IL
    ME: JS2000/Warmoth
    MA: Seagull S6
    MB: Ibanez SRC6
    Rig: Mesa ROV25+Mesa Cab
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    Reverend 7SoH is gonna poop when he sees this.
    *sigh*reset the counter: March 2015

  7. #7


    Real Name: Eric
    Join Date: Oct 2008
    Location: Santa Clara, CA
    ME: RG1527, RG8527Z
    MB: SR706
    Rig: POD HD500
    Member Number: 84
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    Gorgeous. Reminds me of Steinbergers and I love Steinbergers.

  8. #8


    Real Name: John
    Join Date: Nov 2008
    Location: Washington, D.C.
    ME: RG550
    Rig: Mesa/Boogie Studio .22
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    Now that is a sexy guitar.

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Fractal Audio Systems  Eric Clemenzi  Angel Vivaldi
Bowes Guitarworks  Decibel Guitars  NumbSkull Audio Production



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