So, as a happy accident a while ago I ran my ts808 (as a boost) into a centaur klon clone pedal I built (with some gain, a small level boost and tone to taste) and found it did really nice things to the amp tone. The klon just added a bit of sparkle to ti and it just worked.
Then last night ran the ts808 into a metalzone (with eq pretty neutral) also as a boost (no gain, all the levelz) and got a great result as well
I'd previously never really thought of it, but I guess it's kind of changing the boost eq curve.
Who else has experimented with this a bit, and any good combos to recommend?
I got into building pedals a while back. Ive built about 15-20 different fuzz/overdrives so far because stacking is great! Love running my timmy/zendrive or sunface/rat or superduper/timmy.
Try setting the Blues Driver up for low gain, neutral tone, and a level to create a noticeable loudness boost and compression when it's kicked in. Like a "pushed" clean.
Then hit it with the Muff. :devil:
I tend to find that this works best when you run a tone-shaping overdrive (e.g. TS, SD-1, Rat, treble booster, fuzz etc.) into a full range "amp-like" overdrive (e.g. Blues Driver, OCD, Klon, or Amp-In-A-Box types like Box of Rock or Dirty Little Secret).
The effect is as you described: you shape the input gain and EQ shape coming to your "primary" drive (the full range style) with the "secondary" drive (the tone-shaper type). That means whatever signature characteristics the primary drive has will be either accentuated, mitigated, or in some way altered.
A simple but illustrative example is TS808-->AIAB type pedal. It pretty much has the exact same effect as hitting a Marshall (etc) with a TS in front - reduces input bass frequencies which allows more crunch from the preamp and a more compressed sound. Tone shaping and midrange grit to taste with the fiddly knobs.
You'll see this basic formula repeated in a lot of side-by-side overdrive pedals. There's usually a dirty tone-shaping side and a fat big-boost side, and you typically can run them separately or together. They're voiced in such a manner that you get the above mentioned effect easily when desired.
The only major exception to this basic formula in my experience is just slamming any overdrive pedal you want with a clean boost in front of it (like TC Electronic Spark), which just makes your primary drive "MOAR LOUD." That pretty much always sounds awesome. :lol:
Sometimes when my EHX SoulFood (Klone) is on, I'll click on the Death By Audio Interstellar Overdriver (fuzzy boost) in front of it. The result is nothing short of a noisy mess, but for some leads here and there it's so cool :lol:
Basically, the opposite of what Soop is suggesting, I think :lol:
Not at all. A fuzz into a Klone is bitchin. You'd probably want to keep the bass on the fuzz low, but hey sometimes hilarious farty noise is awesome :lol:
Oh damn, I thought topic wrote "Gain Stacking Boots".. :ugh:
Anyways, I used to run a Behringer tube pre pedal in front of my rig, set to juuust have an adge on the attack, with the -20dB pad selected.
For solo boosts, I used a hughes & kettner warp pedal, set to just a bit more gain and pre-distortion.
I occasionally run an MXR Baddass Modified OD into a Fuchs Plush Drive. I like the Fuchs by itself when I'm playing a Tele but both together is a lot of fun.
I love stacking/cascading drive pedals. Probably due to all the random gigs/jams/sessions where I either have to plug into a 1 channel amp, or channels 2/3 on my 5153 are overkill.
I'm usually having a Klon/Klone type drive that I have always on, just to give more shimmer on the clean but breaks when I hit a little harder. Then either any kind of drive/dist afterwards. One of my pedalboards has 3 drives for this reason: a J Rockett Archer Ikon > Free The Tone SOV custom > Fulltone Secret Freq. None are really super high gain and the first 2 aren't really set to high levels either, but put them all on and it's the land of blissful solo and sustain territory.
Does anyone still listen to Morbid Angel? I had no idea they are still going
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