thanks! but this....this doesn't make any sense to me @[email protected]
"You simply bring up your overhead tracks, and zoom right in until you can see the transient hit of whichever drum you're correcting. Now pull up the close-mic track of that drum, and nudge it back in time until it roughly aligns with the overheads. Note, this won't be perfect, because nothing is perfectly in phase with drums - but simply getting it closer should give you a larger sound. Repeat this for all your drums, and you should find a sound that is immediately more deep and dimensional, and creates a much better starting point for you in the mix."
Especially in SD2 @[email protected]