There never was a 6160 from Peavey.
EDIT:Overhauled power amp modeling. Master Volume control is now usable over a larger range. Reduced harshness in many amp models. Most amps will sound more "open". Adjusting the MV in existing presets is recommended for optimum results.
Added "Grid Modeling" parameter to Amp block. Turning this to OFF bypasses the grid modeling in the power amp which can reduce subjectively undesirable distortion.
Added "FAS 6160" model. This model is based on the PVH 6160 model but more open and less fizzy than the original amp. Also, a virtual choke has replaced the resistor found on the original's power supply filter. This results in a bouncier feel.
Added Tape Echo algorithm to Delay and Multidelay blocks. This algorithm simulates a tape echo where modulation occurs due to tape speed variation. In the Delay block the algorithm is implemented as a two head monophonic tape "deck". The Time/Tempo parameters set the distance between the record and first playback head. The Ratio parameter sets the relative distance between the record and second playback head as a percentage of the first playback head. The Multidelay block is implemented as a monophonic deck with four independent heads. See the updated manual for full details.
Fixed TEMPO R parameter affecting left time in Dual Delay.
Added Dry Delay Shift for Thru-Zero mode of Flanger. This allows moving the thru-zero point from the center (default) to the edge or anywhere in between.
Exposed Advanced Whammy Start and Stop parameters to modifier control.
Increased output level for Octave Distortion model in Drive block.
Added support for all MIDI Voice Messages when MIDI Adapter Mode is on. This allows using the MIDI ports for keyboards and other devices other than foot controllers.
Fixed Recall Effect not working in certain instances.
There never was a 6160 from Peavey.Added "FAS 6160" model. This model is based on the PVH 6160 model but more open and less fizzy than the original amp. Also, a virtual choke has replaced the resistor found on the original's power supply filter.
^my guess is that it's meant to modeled after a 5150. The one digit difference of 6 to 5 seems logical. Or were you being sarcastic. I can't tell it's the internet.There never was a 6160 from Peavey.![]()
Of course not - The Peavey 5150 model on the Axe II is called PVH 6160, as an obvious reference. The new "FAS 6160" model is based on that cloned Axe model already, not on the original amp.There never was a 6160 from Peavey.![]()
50% sarcastic.^my guess is that it's meant to modeled after a 5150. The one digit difference of 6 to 5 seems logical. Or were you being sarcastic. I can't tell it's the internet.
Then I'll trade you my Ultra for it. It's fucking packed full of awe (seriously, there's no room for any more awe), and is more fun than a... really fun thing!I must say, so far this thing has not been the awe inspiring fun that I was hoping it would be:noway:
Same here man, same here.I must say, so far this thing has not been the awe inspiring fun that I was hoping it would be:noway:
How so? Because they might update their firmware once a year? :lol:Line 6 is so awesome. :lol:
They get your driver situation squared away? (Can you hear the wet signal on the USB channel now?)Ok so I got my response from Fractal Support yesterday and now I'm not so frustrated.
waiting for those monitors to get here.
this thing works differently on a mac than on a windows machine.They get your driver situation squared away? (Can you hear the wet signal on the USB channel now?)
Might is pushing it. :rofl:Jeff said:How so? Because they might update their firmware once a year? :lol:
Right up until it fails on you at a gig...again. That is something I have to hand to Fractal: I've never heard of touring musicians bitching about reliability. That is something I hear about Line6 (and have personal experienced) all the time.Line 6 is so awesome. :lol: