Yeah, really that whole company kicks ass.Godin comes to mind as being very solid instruments with some really unique features, and they've really expanded their line the last few years.
I'd love a Bongo baritone!! And the Silohette (sp?) kicks major ass.Also, EBMM makes more than just the JP7 :lol:
Pretty much every one I've played (guitar or bass) has sounded and felt great.
The Washburn N4's are awesome guitars.washburn is in the same category as Peavey and Yamaha in that they have a lot of shitty cheap stuff out there, but the good stuff is incredible. Th Nuno I played felt and sounded godly.
I'm gonna throw in Laguna here. I've only ever played one, but it played and sounded really nice for the money. Kind of like what the modern Strat should be.
As was the true Stevens Extended Cutaway, the EC-29 and EC-36. Mine, which I should have never sold:Yeah, really that whole company kicks ass.
I'd love a Bongo baritone!! And the Silohette (sp?) kicks major ass.
The Washburn N4's are awesome guitars.
I had the 625 - the HSS version of that guitar. It was a nice player. I sold it long ago...Some pics, these are at least 6 years old, ignore the mess :lol:
I briefly had an EC-36, which I also wish I still owned. The EC-36 was a bit difficult because you have to pick over the fretboard, but it's still a really fun guitar to play around with. With practice, I was able to get usable stuff up to the 33rd fret.As was the true Stevens Extended Cutaway, the EC-29 and EC-36.
I couldn't go past 24 :lol: But access to 24 was just astounding, plus the guitar looked amazing, and sometimes it was fun to tap around 27-29 :rofl: I also really liked how the Lace Sensor sounded in that position, it got some killer cleans. I really need to get more Lace Sensors, I've been really impressed with every one I've used thus far.I briefly had an EC-36, which I also wish I still owned. The EC-36 was a bit difficult because you have to pick over the fretboard, but it's still a really fun guitar to play around with. With practice, I was able to get usable stuff up to the 33rd fret.
I wouldn't call that underrated. Seagull guitars are consistently very highly rated. They're just underpriced.I'll also toss Alvarez and Seagull out there - almost without fail their acoustics play and sound like they should cost MUCH more than they do.
I LOVE these old RGXes... they had some really innovative ideas... the angle jack (way before Ibanez did them), the split bolt-on plates (way before AANJ) and a height-adjustable locking nut.Some pics, these are at least 6 years old, ignore the mess :lol:
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I'm not Adam, but yes, yes they were.If memory serves, these were 24 3/4" scale too, weren't they Adam?
:yesway: Washburn sure has it's share of low end, crap but their mid and upper level guitars are awesome.Washburn, IMO
I'd agree with that. My USA WM526 is easily one of the best guitars I've played, but their lower end shit is shit.washburn is in the same category as Peavey and Yamaha in that they have a lot of shitty cheap stuff out there, but the good stuff is incredible. Th Nuno I played felt and sounded godly.
Yep, and that's where I first saw the back routed angle jack, always loved the design aspects of that guitar. The trem was also incredibly stable, it had replaceable knife edges like the Edge, but IMO it had better, more solid saddles, they seemed to be made out of steel, not pot metal.I LOVE these old RGXes... they had some really innovative ideas... the angle jack (way before Ibanez did them), the split bolt-on plates (way before AANJ) and a height-adjustable locking nut.
If memory serves, these were 24 3/4" scale too, weren't they Adam?