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I've owned a Johnson J-Station, and borrowed a Line6 Spider for a gig in an emergency once, as well as did a little bit of recording with one.
The J-Station actually had a couple nice models - the "blackface" clean, mark-II, and Recto patches were excellent, although seriously bass-heavy until I changed them all to run through 1x12s. In fact, itwas the Johnson takeon the Recto sound that got me into Mesas in the first place, when I first played a Millenium. That said, it couldn't compete with the real thing - I recorded most of the mp3.com album I did with a J-station, and it sounded fine on its own, but any time I tried mixing a modeled tone with a real amp, with VERY specific exceptions (say,textural parts), the tones didn't seem to mesh.
The Line6 felt stiff, couldn't hang live, but didn't sound too bad mic'd up.
The J-Station actually had a couple nice models - the "blackface" clean, mark-II, and Recto patches were excellent, although seriously bass-heavy until I changed them all to run through 1x12s. In fact, itwas the Johnson takeon the Recto sound that got me into Mesas in the first place, when I first played a Millenium. That said, it couldn't compete with the real thing - I recorded most of the mp3.com album I did with a J-station, and it sounded fine on its own, but any time I tried mixing a modeled tone with a real amp, with VERY specific exceptions (say,textural parts), the tones didn't seem to mesh.
The Line6 felt stiff, couldn't hang live, but didn't sound too bad mic'd up.