In my mind, I wanna go for a Rhoads, I'm thinking Kahler, Humbucker & stacked Humbucker in the neck, 24 fret, binding & Sharkfin, black probably.what are you gonna go with once you get your choice?
Yep, I'll bang a load up when I get 'em. We took our own photographer & videographer, so I should have quite a bit to share.Congrats man, that's great news! Be sure to post pics from the show :yesway:
Not really hated, it's just that we literally got them the night before the show and he wasn't comfortable making the transition so quickly, when it was also his first gig with the band. I think he just found it a bit too much to take in and didn't want to make it harder for himself at that point. He is taking the Jackson deal though.Rather small world, round at a mates last night and it turns out he knows your other guitarist :lol: I heard he hated the Kelly's so much he played his BC Rich?
The baritone made it onto the record, although it didn't quite have the pronounced effect that I was hoping for. It did help to clear & sharpen the guitars up (I also put a C-Pig in it & a KGC brass trem block), but there was something about it that still didn't quite have the dry 'cut' that I wanted. I'm aiming to have another record finished by around March next year, so I'll see if I can snag something new to try. It'll only ever be in the studio though, I like to move a lot live and it feels like the extra mass of a baritone would slow me down a bit.Just out of interest, how did your baritone experiments go? Reckon you could snag a new one off 'em?